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Musician

George Coleman

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No tenor saxophonist better epitomizes the robust muscularity of that heavyweight instrument of jazz expression than George Coleman. With brilliant technique and a deeply soulful tone firmly rooted in his hometown of Memphis, George has performed with many of jazz’ most legendary figures and influenced countless saxophonists during his half century in music. Growing up in Memphis’ rich musical environment of the late ‘40s and early ‘50s, alongside such notables as Booker Little, Harold Mabern, Frank Strozier, Jamil Nasser, Hank Crawford, Phineas Newborn Jr., and blues immortal B.B. King, Coleman began to teach himself to play the alto saxophone in 1950, upon being profoundly affected by the music of Charlie Parker. So prodigious was his talent that George was soon performing locally and in 1952, at the age of 17, was invited to tour with B.B

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Article: Album Review

Neil Swainson: Fire In The West

Read "Fire In The West" reviewed by Jack Bowers


It's hard to believe that 35 years have flown by between the release of bassist Neil Swainson's debut album, 49th Parallel (Concord Jazz), and his second, Fire in the West, recorded in November 2021 and released nine months later. But Swainson was hardly in hibernation during those years, as he has been one of Canada's busiest ...

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Article: New York Beat

Smoke Celebrates 10th Annual Coltrane Festival with George Coleman / Eric Alexander Quintet

Read "Smoke Celebrates 10th Annual Coltrane Festival with George Coleman / Eric Alexander Quintet" reviewed by Nick Catalano


Four months after opening their new expanded room, Smoke Jazz & Supper Club co-owners Paul Stache and wife Molly Sparrow Johnson reinstituted their annual Coltrane festival with a show dubbed “Countdown 2023." Fittingly, the festival opening featured 87 year-old tenor legend and frequent headliner George Coleman together with saxophonist Eric Alexander and drummer Joe Farnsworth--members of ...

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Article: Year in Review

2022: The Year in Jazz

Read "2022: The Year in Jazz" reviewed by Ken Franckling


Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...

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News: Performance / Tour

World-Renowned Smoke Jazz Club Ends The Year With The Annual Coltrane Festival 'Countdown 2023,' And More

World-Renowned Smoke Jazz Club Ends The Year With The Annual Coltrane Festival 'Countdown 2023,' And More

Holiday Shows: Allan Harris (Dec 7-8) Orrin Evans All-Star Quintet (Dec 9-11) Goldings/Bernstein/Stewart Trio (Dec 15-18) Coltrane Festival: George Coleman, Eric Alexander, Melissa Aldana, Eric Reed, Vincent Herring, Billy Harper, Billy Hart, and More (Dec 20-Jan 8) and more... One of New York City's premier live music venues, Smoke Jazz Club, presents a stellar ...

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Article: Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Chris May


A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...

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Article: Album Review

Theo Croker: Jazz at Berlin Philharmonic XII: Sketches of Miles

Read "Jazz at Berlin Philharmonic XII:  Sketches of Miles" reviewed by Mark Sullivan


Let us just cut to the chase and say this is a terrific collection of live concert interpretations and arrangements of acoustic Miles Davis music, drawing from recordings originally released between 1956 and 1968. This period arguably includes his most beloved output, with a place in the hearts of most jazz fans. The first disc in ...

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Article: Album Review

Emmet Cohen: Uptown In Orbit

Read "Uptown In Orbit" reviewed by Mike Jurkovic


Pianist/composer/educator/impresario Emmet Cohen has proven himself time and time again to be one of the guiding lights of 21st century jazz. And he may have/could have single-handedly saved our collective sanity and jazz's continued rise and relevance when, in the face of a world plague, he began streaming Live From Emmet's Place from his apartment in ...

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Article: Interview

My Conversation with Pharoah Sanders

Read "My Conversation with Pharoah Sanders" reviewed by AAJ Staff


From the 1995-2003 archive: This article first appeared at All About Jazz in February 1999. When I first heard “The Father And The Son And The Holy Ghost" off of John Coltrane's Meditations, I was floored. I got the same reaction when I first heard Maria Callas sing “Vissi d'arte" in Victor de Sabata's ...

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Article: Building a Jazz Library

Herbie Hancock: An Essential Top Ten Albums

Read "Herbie Hancock: An Essential Top Ten Albums" reviewed by Chris May


The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...


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